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  St Michael, Dalston
St Michael, Dalston: stained glass
locality type:-   stained glass

photograph
CBL13.jpg  Stained glass; the Empty Tomb, the Ascension, by Clayton and Bell, 1894.
(taken 22.8.2014)  
photograph
CBL14.jpg  Stained glass; The Passion of Christ, by Powell, Whitefriars, about 1923.
(taken 22.8.2014)  
photograph
CBL15.jpg  Stained glass; the cosmos, by Peter Strong, 2011.
(taken 22.8.2014)  
photograph
CBL16.jpg  Stained glass; the Ascension, by Clayton and Bell, 1909.
(taken 22.8.2014)  
photograph
CBL17.jpg  Stained glass; St Michael slaying the Dragon, by Clayton and Bell.
(taken 22.8.2014)  
photograph
CBL18.jpg  Stained glass.
(taken 22.8.2014)  
photograph
CBL19.jpg  Stained glass; Wedding Feast at Cana, Raising of Lazarus, by William Wailes, about 1881.
(taken 22.8.2014)  
photograph
CBL20.jpg  Stained glass; Christ healing the blind, Christ walking on the water, by William Wailes, about 1881.
(taken 22.8.2014)  
photograph
CBL21.jpg  Stained glass; The Nativity, the Passion, Christ carrying the Cross, etc, by William Wailes, about 1859?
(taken 22.8.2014)  
photograph
CBL22.jpg  Stained glass; dove.
(taken 22.8.2014)  
photograph
CBL23.jpg  Stained glass.
(taken 22.8.2014)  
photograph
CBL24.jpg  Stained glass; Hugh de Lilford, hermit, Chapel Flatt, Brackenhow, by Clayton and Bell, 1890.
(taken 22.8.2014)  
photograph
CBL25.jpg  Stained glass; holy baptism, by Clayton and Bell.
(taken 22.8.2014)  

photograph
CBL12.jpg  Stained glass, Trimble Memorial Window, by Peter Strong, 1998.
(taken 22.8.2014)  
Designed by Peter Strong, 1998, celebrating 880 years of Christian ministry here. The inspiration for the design comes from Reverlation ch.22 v.1 and from 14th century tapestries of the Apocalypse at the Chateau d'Anger. There are two themes: a model of the spiritual universe based on Revelations; the annunciation of the birth of Christ.
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