|  
 |  
 
Gentleman's Magazine 1850 part 1 p.671 
  
Revisited, and other poems composed during a tour in  
Scotland and on the English border in the autumn of 1831;  
Evening Voluntaries; poems composed or suggested during a  
home tour in 1833; poems of sentiment and reflection;  
sonnets dedicated to liberty and order; sonnets upon the  
punishment of death; miscellaneous poems; inscriptions;  
selections from Chaucer modernised; poems referring to the  
period of old age; epitaphs and elegaic pieces; and The  
Excursion. Altogether the volume contains some seven hundred 
distinct poems. 
  
If Wordsworth was unfortunate - as he certainly was - in not 
finding and recognition of his merits till his hair was  
grey, he was luckier than other poets similarly situated  
have been in living to a good old age, and in the full  
enjoyment of the amplest fame which his youthful dreams had  
ever pictured. His style is simple, unaffected, and vigorous 
- his blank verse manly and idiomatic - his sentiments both  
noble and pathetic, - and his images poetic and appropriate. 
His sonnets are among the finest in the language: - Milton's 
scarcely finer. "I think," says Coleridge, "that Wordsworth  
possessed more of the genius of a great philosophic poet  
than any man I ever knew, or as I believe has existed in  
England since Milton; but it seems to me that he ought never 
to have abandoned the contemplative position which is  
peculiarly - perhaps I might say exclusively - fitted for  
him. His proper title is Spectator ab extra." 
  
 
"The illustrious poet breathed his last by the side of that  
beautiful lake in Westmerland which his residence and his  
verse has rendered famous. We are not called upon in his  
case to mourn over the untimely fate of genius snatched away 
in the first feverish struggles of development, or even in  
the noon-day splendour of its mid-career. Full of years, as  
of honours, the old man had time to accomplish all that he  
was capable of accomplishing ere he was called away. Removed 
by taste and temperament from the busy scenes of the world,  
his long life was spent in the conception and elaboration of 
his poetry in the midst of sylvan solitudes to which he was  
so fondly attached. His length of days permitted him to act  
as the guardian of his own fame - he could bring his maturer 
judgment to bear upon the first bursts of his youthful  
inspiration, as well as upon the more measured flow of his  
maturest compositions. Whatever now stands in the full  
collection of his works has received the final  
imprimatur from the poet's hand, sitting in judgment  
upon his own works under the influence of a generation later 
than his own. It is sufficiently characteristic of the man,  
that little has been altered, and still less condemned. Open 
at all times to the influences of external nature, he was  
singularly indifferent to the judgment of men, or rather so  
enamoured of his own judgment that he could brook no  
teacher. Nature was his book; he would admit no  
interpretation but his own. It was this which constituted  
the secret of his originality and his strength, at the same  
time that the abuse of the principle laid him open at times  
to strictures, the justice of which few persons but the  
unreasoning fanatics of his school would now be prepared to  
deny. 
  
 
"It is well when the fashion of virtue is set by men whose  
rare abilities are objects of envy and emulation even to the 
most dissolute and unprincipled. If this be true of the  
statesman, of the warrior, of the man of science, it is so  
in a tenfold degree of the poet and the man of letters.  
Their works are in the hands of the young and inexperienced. 
Their habits of life become insensibly mixed up with their  
compositions in the minds of their admirers. They spread the 
moral infection wider than other men, because those brought  
within their influence are singularly susceptible of  
contamination. The feelings, the passions of imagination,  
which are busy with the compositions of the poet, are  
quickly interested in the fashion of his life. From 'I would 
fain write so' to 'I would fain live so' there is but a  
little step. Under this head the English nation owes a deep  
debt of gratitude to William Wordsworth. Neither by the  
influence of his song, nor by the example of his life, has  
he corrupted or enervated our youth; by one, as by the  
other, he has purified and elevated, not soiled and abased,  
humanity." - Times. 
  
Wordsworth's best likeness is a bust by Chantrey, from which 
an engraving is prefixed to his collected Poems of 1845. His 
other portraits are not so characteristic. 
  
It is announced that Wordsworth has left a poem, consisting  
of fourteen cantos, descriptive of his life, reflections,  
and opinions, with directions that it should be published  
after his decease, together with such biographical notices  
as may be requisite to illustrate his writings, under the  
editorial care of his nephew, the Rev. Christopher  
Wordsworth, D.D. Canon of Westminster, whom he has appointed 
his literary executor, so far as his biographical memoir is  
concerned, with the expression of a desire that his family,  
executors, and friends would furnish his biographer with  
such materials as may be useful for his assistance in the  
preparation of the work. 
  
 |