Old Cumbria Gazetteer - weather, Cumbria: Wordsworth 1810


included in:-	weather, Cumbria
	weather, Cumbria: Wordsworth 1810
evidence:-	old text:- Wordsworth 1810 item:- rain
source data:-	Guide book, A Description of the Scenery of the Lakes, later A Guide through the District of The Lakes, by William Wordsworth, 1810-35. goto source page 30 "..." "It may now be proper to say a few words respecting climate, and "skiey influences," in which this region, as far as the character of its landscapes is affected by them, may, upon the whole, be considered fortunate. The country is, indeed, subject to much bad weather, and it has been ascertained that twice as much rain falls here as in many parts of the island; but the number of black drizzling days, that blot out the face of things, is by no means proportionally great. Nor is a continuance of thick, flagging, damp air, so common as in the West" goto source page 31 "of England and Ireland. The rain here comes down heartily, and is frequently succeeded by clear, bright weather, when every brook is vocal, and every torrent sonorous; brooks and torrents, which are never muddy, even in the heaviest floods, except, after a drought, they happen to be defiled for a short time by waters that have swept along dusty roads, or have broken out into ploughed fields. Days of unsettled weather, with partial showers, are very frequent; but the showers, darkening, or brightening, as they fly from hill to hill, are not less grateful to the eye than finely interwoven passages of gay and sad music are touching to the ear. ..." goto source page 32 "..." "It has been said that in human life there are moments worth ages. In a more subdued tone of sympathy may we affirm, that in the climate of England there are, for the lover of nature, days which are worth whole months, - I might say - even years. One of these favoured days sometimes occurs in spring-time, when that soft air is breathing over the blossoms and new-born verdure, which inspired Buchanan with his beautiful Ode to the first of May; the air, which, in the luxuriance of his fancy, he likens to that of the golden age, - to that which gives motion to the funereal cypresses on the bank of Lethe; - to the air" goto source page 33 "which is to salute beatified spirits when expiatory fires shall have consumed the earth with all her habitations. But it is in autumn that days of such affecting influence most frequently intervene; - the atmosphere seems refined, and the sky rendered more crystalline, as the vivifying heat of the year abates; the lights and shadows are more delicate; the colouring is richer and more finely harmonized; and, in this season of stillness, the ear being unoccupied, or only gently excited, the sense of vision becomes more susceptible of its appropriate enjoyments. A resident in a country like this which we are treating of, will agree with me, that the presence of a lake is indispensable to exhibit in perfection the beauty of one of these days; and he must have experienced, while looking on the unruffled waters, that the imagination, by their aid, is carried into recesses of feelings otherwise impenetrable. The reason of this is, that the heavens are not only brought down into the bosom of the earth, but that the earth is mainly looked at, and thought of, through the medium of a purer element. The happiest times is when the equinoxial gales are departed; but their fury may probably be called to mind by the sight of a few shattered boughs, whose leaves do not differ in colour from the faded foliage of the stately oaks from which these relics of the storm depend: all else speaks of tranquillity; - not a breath of air, no restlessness of insects, and not a moving object perceptible -" goto source page 34 "except the clouds gliding in the depths of the lake, or the traveller passing along, an inverted image, whose motion seems governed by the quiet of a time, to which its archetype, the living person, is, perhaps insensible: - or it may happen, that the figure of one of the larger birds, a raven or a heron, is crossing silently among the reflected clouds, while the voice of the real bird, from the element aloft, gently awakens in the spectator the recollection of appetites and instincts, pursuits and occupations, that deform and agitate the world, - yet have no power to prevent nature from putting on an aspect capable of satisfying the most intense cravings for the tranquil, the lovely, and the perfect, to which man, the noblest of her creatures, is subject." "Thus far, of climate, as influencing the feelings through its effects on the objects of sense. We may add, that whatever has been said upon the advantages derived to these scenes from a changeable atmosphere, would apply, perhaps still more forcibly, to their appearance under the varied solemnities of night. Milton, it will be remembered, has given a clouded moon to Paradise itself. In the night-season also, the narrowness of the vales, and comparative smallness of the lakes, are especially adapted to bring surrounding objects home to the eye and to the heart. The stars, taking their stations above the hill-tops, are contemplated from a spot like the Abyssinian recess of Rasselas, with much more touching inter-" goto source page 35 "[inter]est than they are likely to excite when looked at from an open country with ordinary undulations: and it must be obvious, that it is the bays only of large lakes that can present such contrasts of light and shadow as those of smaller dimensions display from every quarter. A deep contracted valley, with diffused waters, such a valley and plains level and wide as those of Chaldea, are the two extremes in which the beauty of the heavens and their connexion with the earth are most sensibly felt. Nor do the advantages I have been speaking of imply here an exclusion of the aerial effects of distance. These are insured by the height of the mountains, and are found, even in the narrowest vales, where they lengthen in perspective, or act (if the expression may be used) as telescopes for the open country." "..."

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